What makes cities lovable? Why do we connect emotionally with some places and not others? And why does that matter? Author and consultant Peter Kageyama loves cities. Big cities, small cities, villages and small towns. He thinks he has Read more
I was speaking with a group from the Alliance for Innovation today on a webinar and was challenging them to think about ways of adding fun to the mix of our various projects. I mentioned the idea of a neighborhood clean up which is a good, solid community project but not necessarily thought of as ‘fun’ in the traditional sense. So based on the current season, I opined that maybe we could mash up a Trick or Treat event with a neighborhood clean up and make the later a more fun and engaging event. Seems like a natural fit. If any communities out there have done something like this, I’d love to hear about it!
Last week my regional alternative press held their annual “Best of the Bay” awards. Creative Loafing highlights everything from Best Dining Adventure (Locale Market in St. Pete) to Best City Council Person (my friend Darden Rice) to Best sign of intelligent life in South Tampa (Cass Contemporary Gallery). The awards are an awesome, highly creative and a fantastic snapshot of the things we (mostly) love about our community. So I was very honored that CL awarded me the designation of being “Best Friend of Cities”.
In our work, in our lives, we want to be known for something. And I think it is especially nice to be known as a friend. Think of that designation. One of the finest things we can say about a person is that he or she is a friend. So I take the title with a great deal of appreciation. My friend and in many ways mentor, Charles Landry, set that standard for me years ago by his example.
Landry is the English author of many books, the most well know being the seminal “The Creative City”. He is a global citizen who has worked in hundreds of cities all over the world. I first met him in 2004 and recall thinking that his work and career were something that I wanted to emulate. Charles calls himself a “critical friend” to cities; someone who cares deeply about places and can see them with a clarity and truthfulness that is sometimes hard for locals to muster. Think about it – a real friend will tell you when your shoes and belt don’t match. A real friend will tell you when you haircut is bad. A real friend will tell you when you are wrong. Landry is that critical friend to the places he works with and that is something I have tried to emulate.
As the “city love guy” part of my job is to be relentlessly positive about places. I find the bright spots, the love notes and the things that make an emotional impact on people. I do try to look at the bad as well and not ignore the most challenging aspects of the cities I visit. But as a friend, I love you despite the flaws. In fact, I think I love your places because of the flaws. It is in the flaws that we strive to become better and to rise to the challenge building something. As a best friend, I’d like to think that in good times or bad, I am someone you want to see, connect with and maybe just commiserate with. A best friend sometimes just listens. So thank you Creative Loafing for reminding me of what my job actually is and how lucky I am to have it.
Last week saw a massive amount of coverage marking the 10 year … ‘anniversary’ is the wrong word – memorial of Hurricane Katrina. The stories of triumph and tragedy reminded us how rebuilding the Gulf Coast, New Orleans in particular, became a national cause. And the view ten years on is mostly positive. Schools and homes have been rebuilt, systems and infrastructure has been updated and people, though not all, have returned to New Orleans. Over and over again you heard stories that emphasized people’s love for the city. I wrote in For the Love of Cities, how New Orleans at that writing (2011) was the most exciting city in America because of the influx of people, ideas, money and passion that was rebuilding a great American city. Today New Orleans remains a work in progress but clearly on a different and higher path than the one it was on before the storm. New Orleans has become the benchmark of how love of place can sustain a place even in the worst of times.
New Orleans is not singular in this love affair with place. Every place has people that love it and it is those people that can be the difference between failure and rebirth. New Orleans captured so much of our national attention in part because of its size but also because of the size of its reputation. So many of us had visited New Orleans and partaken of its food, music and culture. We had watched Super Bowls and Su
gar Bowls from the Super Dome. We all felt New Orleans, at least a little bit. Other cities did not have that benefit when they were challenged by disasters.
I think of two cities yet there are so many more. I have been fortunate to work in Cedar Rapids, Iowa and Joplin, Missouri over the past few years. Each city was rocked by a disaster, flooding in Cedar Rapids in 2008 and an EF5 tornado in Joplin in 2011. Each city received an initial outpour of sympathy and support. Federal funds flowed into each and rebuilding began. But neither city resides in our broad national consciousness the way that New Orleans does. Rebuilding those cities fell upon the shoulders of their citizens – the ones who loved their place. People like my friends Amanda West and Andy Stoll in Cedar Rapids and Jane Cage in Joplin. Their everyday heroism is the
story of the vast majority of our cities everywhere. People who make the conscious choice to show up, to raise a hand to help where they can and perhaps most importantly of all – not leaving.
Every city has people that love it. If you are reading this, chances are you are one of those people. You may not realize it but your are rarer and more valuable than you think. Cities everywhere need more people who love them because when we love something, we go above and beyond for it, we forgive shortcomings and we will fight for it. Cities everywhere need more people who do more than pay their taxes, spend their money and obey the law. That should be the minimums in our relationship with our places. And sometimes it takes a disaster or threat to shake us out of our everyday malaise and remind of us of the important our places, but I hope we can find a bit of introspection and perspective in the clear light of a sunny day.
Today is the five year anniversary of the passing of Tony Wilson, the English TV & radio personality who was key figure in creating the Manchester music scene in the late 70’s through the 80’s and beyond. (Check out the 2002 movie “24 Hour Party People” for a semi-autobiographical portrayal of Wilson and the Manchester scene.)
Wilson was a “co-creator” as I describe in my book; a creator of the content that makes cities interesting, fun and lovable. Wilson was not an official city maker, like a mayor or councilman, but his impact on the city was no less profound. He was an unabashed lover of Manchester and it showed in his work as he championed local music and artists and founded the famous Hacienda nightclub that launched the “Madchester” scene to the world.
I only met Tony once, in 2006. While I was visiting Manchester, a mutual friend arranged a lunch meeting and I was just giddy with the prospect of talking to him. I even brought a first edition 12” single of New Order’s Blue Monday. His label, Factory, had produced it and famously, the cover artwork was so complex and expensive, they lost money of every record sold. He smiled and told the story behind it and even signed it for me.
New Order's Blue Monday 12" Single
That day we talked about the unique role that music plays in creating identity for cities. He talked about how a scene cannot be forced, but how cities can help facilitate the success of their local musicians and artists. Things like support for local venues that play original music or little things like rehearsal spaces where bands can make as much noise as they want. He also talked about his annual music conference, called In the City that he and his wife had been producing. It had become a SXSW type event where bands showcased to industry in the hopes of being discovered.
Tony clearly loved Manchester, and the city had come to love him as well. His passion projects, Factory Records and The Hacienda had become central to the identity and the mythology of the city. Tony was a central node in what made Manchester a great city though he was not an official city maker. When he passed away in 2007, Manchester lost a great champion and “lover” of the city.
Every city has people like Tony that truly love their community and go way above and beyond ordinary citizenship and make their city better, more interesting and more lovable. The problem is that we think Tony Wilsons just happen. They magically appear like rare gifts for our cities. And because we think of them like gifts, we actually don’t plan on how to use them or on how to create them. We need to be intentional in our efforts to make more Tony Wilsons for our places. We do that first by recognizing the co-creators in our midst and treasuring them the way we value an anchor business or institution. Then we can ask how our communities might support and amplify what these co-creators are already naturally doing.
Tony Wilson was a rare champion for Manchester and he can never be replaced. But he can be renewed if we encourage others to manifest their emotional engagement in their places by doing something for those places. Step up, make some music and make a difference.
In May we conducted the Loving the Circle City workshop for the young professional associations of Indianapolis. Over 150 participants came up with many great ideas and insights into their community. Below is the time lapse of the visual recording done by Michelle Royal.
We had a great time in Muskegon, Michigan in early June. Fantastic to return to a city we visited a year ago and see all the amazing things they have done, including this Love Muskegon campaign. More later!
In the book I write about how city themed tattoos are the equivalent of “marrying” your city. A tattoo, like a marriage, is a near permanent commitment and whenever I see people with their city etched into their body, I know that person has a special relationship with their place. And perhaps none more so than Katie O’Keefe of Cleveland.
I wrote about her return to her hometown of Cleveland from New Jersey. “I wanted to come back and make a difference in my city… in the end, Cleveland is my true love” she said. In writing the book, I had several people tell me I had to meet Katie and try as we might, we could only connect via email and Facebook. That changed this week as I finally got to meet her in person at a Saving Cities event in the Collinwood neighborhood of Cleveland.
Katie’s love and enthusiasm for her city shines through even more powerfully in person. We talked about how she will often sing to the city as she rides her bike to work and how she likes to blow kisses to Cleveland. Being around such passion and commitment is inspiring and she has a catalytic effect on whoever she encounters.
And the story has an even happier twist. She introduced me to her boyfriend Sam, whom she met after he approached her and showed his sleeve tattoo of Cleveland that is almost the twin of her ink! If it happened in a romantic comedy, you would say “c’mon!” that is too hokey. But they met because of their mutual love affair with their city.
For me the lesson is that more of us should be willing to publically declare our love for our cities. Perhaps we are not ready to get the tattoo, but we can all find some way to express that love and commitment through our words and actions. When we do, we are likely to find many sympathetic and similar voices. And then we know that we are not alone and might find not only comfort and support, but potential allies in future actions to improve our communities.
In June I wrote a piece called “The Surprising Life in America’s Dying Cities” for Infrastructurist.com. The piece highlighted the amazing things that were happening in the cities designated by Newsweek Magazine in January as the 10 most “dying” places. Needless to say, the cities on that list were not happy with the tag placed on them. Since I published that article, one more of those “dying” cities has stepped up to declare the rumors of their demise being greatly exaggerated.
South Bend, Indiana was number eight on the Newsweek list. And local radio personality Tori James did not like it. But not having budgets to counter the publicity, she decided that South Bend needed to remind itself of the good things it had in the community. She came up with the idea that the citizens should write “love notes” to the city. She took the idea to Downtown South Bend Inc. and they decided to run with it. Leveraging the radio station and the local paper they were able to get word of the project out to South Bend. They put actual mailboxes in several downtown shops and invited people to drop off their notes in person. Online submissions came from all over the country as hundreds of love notes came in.
Last week the city declared “I Love South Bend” day and the love notes were posted in the windows of shops throughout downtown. Local artists were brought in to paint the windows and seam together the notes into displays of the love and affection people have for their city.
While things like the Grand Rapids Lip Dub might get more external attention, one cannot underestimate the impact of these simple, heartfelt efforts such as South Bend has done. This project was BY them and FOR them. A declaration of love and connection that becomes part of a longer term effort to improve the relationship between city and citizen. Every community would do well to reflect on that relationship and hopefully do so without a scare or an outside threat.
In For the Love of Cities I wrote about Katie O’Keefe of Cleveland, Ohio as an example someone in love with their city. Katie’s story of coming back to Cleveland is powerful, but what caught my attention was her commitment to Cleveland exemplified by her magnificent sleeve tattoo of the Cleveland skyline. I noted in the book that city themed tattoos are akin to “marrying your city” as they are semi-permanent – easy enough to get into but rather hard and expensive to get out of.
Last week Katie made the cover of Issue Media Group’s Northeast, Ohio publication Freshwater Cleveland. Take a look here to see the tattoos and learn more about her and other “boomerangs” who have returned to Cleveland and are playing key roles in shaping its future.